As is the case with
many world religions, in Sikhism we find that patriarchy is deeply embedded in
the traditions and texts of the faith, even as Nikky-Guninder Kaur Singh tells
us that Sikh Gurus “empathized” with women oppressed and in turn, “emphasized
gender equality.” This, in some ways,
contradicts Geetanjali Singh Chanda and Staci Ford’s piece, “Sikh Masculinity,
Religion, and Diaspora in Shauna Singh Baldwin’s English Lessons and Other Stories.”
Chanda and Ford state quite clearly that “The family, specifically the hetero-normative
family, is at the heart of the performance, the pedagogy, and the continuity of
specific notions of a religio-cultural masculinity.” This leaves the Sikh male in a difficult
place, especially here in America where the turban often subjects men to
physical attack and even death in this post-9/11 landscape.
Chanda and Ford
describe ads featuring Sikh males prominently displayed in the bright lights of
Main Street America: Times Square in New
York City. Where once there was
disappointment at the lack of presence in American culture for Sikhs, Chanda
and Ford now charge that this constitutes objectification and commercialization
of the Sikh image. Well, this begs the
question, what exactly do they want?
Part of what has opened the door to violence against Sikhs is the lack
of cultural inclusion in America. In
short, Americans are ignorant about Sikh beliefs and culture, and while this is
not the fault of Sikhs, the charge that they constitute an “Other” in American
society must be overcome and negated.
Americans need to be educated about Sikhism and its followers. As Chanda and Ford state in their thesis, the
appearance of a Sikh male on a billboard in Times Square encourages the idea
that “lives and histories are connected (and often irrevocably changed) in the
transnational flow of people, capital, and histories.” For modern Sikhs, this inclusion may be more
welcomed than more traditional adherents, and the alt-right movement might
preclude welcoming our turbaned brethren as fully participatory Americans, but
like the issue of patriarchy in this religious tradition, those who fail to
understand these modern times—and a woman’s role in a modern faith—are reaching
back centuries for a sexist reading that is no longer valid. “Turban-wearing Sikhs,” Chanda and Ford tell
us, “constitute a visible subgroup of the South Asian Diaspora.”
What makes Chanda and
Ford’s essay unique is its focus on three fictional stories and their impact in
a feminist reading of Sikh literature that sheds light on Sikh masculinity with
depth and insight. This kind of reading
is long overdue in many patriarchal religions.
Specifically, the author of the three texts, Shauna Singh Baldwin,
“considers men and masculinities at various stages of life and in diverse contexts—social,
familial, and cultural—from a feminist perspective.” She also utilizes the theme of the past
telling us what the present means within the context of literature and culture
and even history. She opens the door to
questioning, and questions always lead, not to destruction, but
understanding. Make no mistake, the
Sikhs murdered in acts of violence after September 11th were victims
of misunderstanding; they were killed, quite simply, because they wore turbans,
and most Americans, erroneously, believed turbans equaled Muslims. Chanda and Ford applaud Singh Baldwin’s use
of fiction to present these ideas because the lens of story allows us to walk
in the shoes of another. In her work,
she writes “about men as complex and multifaceted beings who are, themselves,
victims of racism and economic imperatives in a global marketplace.” The stereotype of the turbaned 7-11 store
clerk has some basis in reality; Sikhs often are small business owners in
communities big and small across the country.
In many of these communities, they are treated as the “Other,” someone
who comes into the neighborhood to take economic advantage of those who live
there. The truth is that they are a
vital part of the American economy, and are often victimized through robbery and
violence and are resented by the communities they serve.
Another aspect of this
that Chanda and Ford discuss is patriarchal notions within Sikhism. It seems that Sikh traditions and discussions
need to happen within the current patriarchal hierarchy in the faith. The stories as written by Singh Baldwin
perform this function as well because she presents how these ideas challenge
the family as keeper of the masculine flame.
The family often reinforces patriarchal beliefs. She introduces “real men who are caught
between cultures, shifting economic realities, and the varying generational
expectations of mothers, wives and sisters.”
She flips “the traditional script of literary texts, where more often
men narrate women’s lives.” In one
story, “Montreal 1962,” she presents a situation where Sikh immigrants were
encouraged to come to Canada because North America needed skilled workers, and
therefore, people overlooked race, at least initially, to bring in people to
fill high tech jobs. Of course, this also
exposed them to discrimination, as Latinos face in this country. There is always the prevailing notion that
somehow these workers deprive native born citizens of jobs when in fact, these
immigrant workers are often recruited to fill positions that others could not
fill or do not wish to fill. Singh
Baldwin calls these workers “exotic new Canadians, new blood to build a
country.” What is clear both in history
and culture is that immigration plays a key role in a healthy society,
especially here in America.
The focus of this
rising of Sikh culture is the turban. It
is, in Singh Baldwin’s stories, a symbol of defiance, even when the wife takes
it on, wrapping her “five meters” of cloth around her own head, adopting “a symbol
of religious identity and manhood.” It
is clear from the actions of the young wife in Singh Baldwin’s story that a
woman adopting the turban is an acceptable evolution of gender roles in this
new world. History and events by
necessity change defined gender roles.
In comparison, there is a continual debate about ordaining women priests
or allowing priests to marry in the Catholic Church. Protestant and Anglican Churches are battling
with the ordination of gay and lesbian clergy.
Many reform Jewish congregations have female Rabbis. Times are changing, may be not at great
speed, but with a consistent, plodding advancement that is difficult to
ignore. Gender issues must be solved
before we can tackle and defeat racism.
To illustrate this
point, Chanda and Ford launch a discussion of honor killings and rape
culture. Feminist writers have
relentlessly explained that “notions of honor and shame fan the flames of
revenge and violence in men but are carried out on the bodies of women.” In many ways, this is a product of gender
codes, even the medieval Code of Chivalry governing the behavior of noble men
with women. Still, such codes enforce
the idea of women as victims and men as their saviors. It is interesting to note that men who do not
live up to such codes are often dishonored and emasculated as punishment for
failing to be manly men. Therefore, the
lines between protective behavior and violence are blurred. A man must “protect the honor of the family even
if it means killing his sister to do so,” Chanda and Ford write. This presents a significant paradox: can one preserve by destroying? In these Partition narratives Chanda and Ford
discuss, it would seem so. In the ritual
suicides of women who would rather “jump into a well” than “bring shame upon
their village, family, or religion,” preservation of the honor in this manner
is also acceptable? In the west, we
reject ritual suicide, and therefore, we do not understand this concept. However, we hear about such acts more and
more. Chanda and Ford talk about the
United Nations report of “5,000 women and girls worldwide, across religions and
countries [who] may be murdered each year by their own families.” Since those numbers come from 2010, I wonder
if the total is not much higher now in 2016.
It is without a doubt
that Sikh men face discrimination and emasculation in American society. But, men, in general, have a long history of
attacking each other’s manhood when conflict arises. In English boarding schools, verbal,
physical, and sexual abuse is commonplace.
Males challenge the masculinity of other males with derogatory,
emasculating language denoting female genitalia or homosexual labeling. Chanda and Ford cite many potent examples of
this, including the male student deprived of his turban and made to play a
female role with his long hair in a theatrical production. To a young man still developing his gender
identification, this is devastating.
None of this is all
that different from many societies, including American society. These gender “rules” are reinforced from a
young age. As a teacher, I have had
parents, all most always the mothers, plead with me not to give their sons low
grades because this might make him “depressed” and “feel inadequate.” I’ve shopped in supermarkets where mothers,
mostly white, treat their inattentive sons like husbands, asking them what they
would like for dinner, and catering to their every whim or whine. Much of what has happened in the presidential
election has to do with the questioning of gender roles. Trump has been characterized as a “real man,”
(his Twitter handle is @realDonaldTrump) who will “make America great again” by
sending Muslims and Latinos back where they came from while promoting some
mythical past in our history where men were men and women had babies and
serviced the men. This is a man who does
not hesitate to discriminate against his daughter, whom, he has said, he would
be dating if she were not his daughter.
This is a man who does not consider groping a woman wrong and harmful if
the groper has power. A powerful man can
get away with such rapist encroachment, and if one is not a powerful man, he is
less than a man.
In the end, Sikhism,
like all other religions, continues to grapple with the role of women. Singh Baldwin, as Chanda and Ford note, uses
the lens of fiction to create a discussion.
Fiction allows the what-if. In
fact, the what-if is built into the art, and if it can help religions,
cultures, societies, and individual houses on our streets to come to grips with
the issue of equality of men and women, then it is a good thing. For fiction is the dream-life of a culture,
and although these dreams might often be nightmares of zombies or the horrors
of war, our dreams can also show us a world that could be, a good world, not
perfect, but more equal.